Diasporic imagination in K. S. Maniam's in a far country and Jhumpa Lahiri's The Namesake : a comparative study /

In a Far Country (1993) and The Namesake (2003) recount the lives of children of Indian immigrants who face an arduous challenge to find their identity, the essence of every man alive. Rajan's predicament begins when his father answers the call for labours in Malaya under the British indenture...

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Bibliographic Details
Main Author: Syafiq Amri
Format: Thesis
Language:English
Published: Kuala Lumpur : Kulliyyah of Revealed Knowledge and Human Sciences, International Islamic University Malaysia, 2011
Subjects:
Online Access:http://studentrepo.iium.edu.my/handle/123456789/6383
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245 1 |a Diasporic imagination in K. S. Maniam's in a far country and Jhumpa Lahiri's The Namesake :  |b a comparative study /  |c by Syafiq Amri 
260 |a Kuala Lumpur :  |b Kulliyyah of Revealed Knowledge and Human Sciences, International Islamic University Malaysia,   |c 2011 
300 |a ix, 90 leaves :  |b ill. ;  |c 30cm. 
336 |2 rdacontent 
337 |2 rdamedia 
338 |2 rdacarrier 
500 |a Abstract in English and Arabic. 
500 |a "A dissertation submitted in fulfilment of the requirement for the degree of Master of Human Sciences (English Literary Studies) 
502 |a Thesis (MHSLS)--International Islamic University Malaysia, 2011. 
504 |a Includes bibliographical references (leaves 65-67). 
520 |a In a Far Country (1993) and The Namesake (2003) recount the lives of children of Indian immigrants who face an arduous challenge to find their identity, the essence of every man alive. Rajan's predicament begins when his father answers the call for labours in Malaya under the British indenture policy. Yet, what his father does not expect is that the 'promised land' on which he has put high hopes for better fortune defines itself other than what he is. In a Far Country therefore portrays Rajan's struggle, mentally and spiritually, as a second-generation Malaysian Indian attempting to understand Malaysian culture and to grapple the meaning to be a Malaysian. Gogol, on the other hand, faces different complications; he is born American with a Bengali background, but nothing can be worse than the fact that he is the bearer of an unusual name; a Russian name after his father's favourite author. The Namesake revolves around Gogol's bittersweet relationship with his name and the ambivalence of his identity as he attempts to circle himself into the American social milieu. The postcolonial theory of diaspora is central in the study of the texts with the intention to analyse the formation of identity of the protagonists, to scrutinise the notion of 'home' in diaspora, and finally to compare and contrast between 'the old' and 'the new' Indian diaspora with the awareness that generational differences will not be downplayed. By the end of this thesis, readers learn that it is conclusive that identity is dynamic, ever-changing, and fluid. It is of grave importance to remind readers that an attempt to revert to one's native culture or to assert cultural insularity is a futile effort. 
600 1 0 |a Gogol, Nikolai Vasil'evich,  |d 1809-1852  |v Fiction  |x Appreciation  |9 63731 
650 0 0 |a Tamil (Indic people)  |x Ethnic identity  |z Malaysia  |9 63734 
650 |a Literature   |9 63736 
650 |a Comparative literature  |x Themes, motives  |9 63738 
650 0 0 |a Malaysia  |x Colonial influence Fiction  |9 63740 
650 0 0 |a Young men  |v Fiction  |9 63742 
650 0 0 |a East Indian Americans  |v Fiction  |9 63743 
650 0 0 |a Children of immigrants  |v Fiction 
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690 |a Dissertations, Academic  |x Department of English Language and Literature  |z IIUM 
710 2 |a International Islamic University Malaysia.  |b Department of English Language and Literature 
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