Tourism brochures' images : a reading by Achenese /

After the 2004 tsunami, the Aceh provincial government (APG) was given more opportunities to produce its own project, namely meaning-making which is in accordance with Aceh values and traditions. One such project was to construct the image of new Aceh via touristic brochures. However, do the citizen...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Fitri Anti binti Abubakar (مؤلف)
التنسيق: أطروحة
اللغة:English
الموضوعات:
الوصول للمادة أونلاين:http://studentrepo.iium.edu.my/handle/123456789/3673
الوسوم: إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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041 |a eng 
043 |a a-io--- 
050 0 0 |a G155.A1 
100 0 |a Fitri Anti binti Abubakar,  |e author 
245 1 |a Tourism brochures' images :  |b a reading by Achenese /  |c by Fitri Anti binti Abubakar 
264 |a Kuala Lumpur :  |b Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia,  |c 2016 
300 |a xii, 113 leaves :  |b illustrations ;  |c 30cm. 
336 |2 rdacontent  |a text 
502 |a Thesis (MHSCM)--International Islamic University Malaysia, 2016. 
504 |a Includes bibliographical references (leaves 91-98). 
520 |a After the 2004 tsunami, the Aceh provincial government (APG) was given more opportunities to produce its own project, namely meaning-making which is in accordance with Aceh values and traditions. One such project was to construct the image of new Aceh via touristic brochures. However, do the citizens of Aceh or people of Banda Aceh in particular, agree or reject the produced construction of reality? Using the Stuart Hall's theory of reading, this work investigates the convergence and divergence of reality on Aceh, in relation to the producer (APG) versus the readers (the people of Banda Aceh). Methodologically, vignettes in the form of the published touristic images were used as a device in the interviewing process to collect the data. A content analysis findings showed that the majority of readers were 'preferred' readers. Mosques as the preferred artifacts were clearly shown in the imagination and the fantasy of both the producer and the readers. Islam as a way of constructed reality is succinctly clear in Aceh. 
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655 7 |a Theses, IIUM local 
690 |a Dissertations, Academic  |x Department of Communication  |z IIUM 
710 2 |a International Islamic University Malaysia.  |b Department of Communication 
856 4 |u http://studentrepo.iium.edu.my/handle/123456789/3673 
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