The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah

It is said that the journey of the Dalang of the Kelantan Shadow play is first and foremost determined by the existence of the Angin in him for without which, this vocation will not materialise. Once confirmed, he will undergo the basic, intermediate and advanced level of the ‘Way of the Dalang’. Th...

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Main Author:	Hamzah, Maszalida
Format:	Thesis
Language:	English
Published:	2014
Subjects:	Shadow plays Wayang etc.
Online Access:	https://ir.uitm.edu.my/id/eprint/16199/2/16199.pdf
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id	my-uitm-ir.16199
record_format	uketd_dc
spelling	my-uitm-ir.161992024-04-17T07:43:50Z The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah 2014-06 Hamzah, Maszalida Shadow plays, Wayang, etc. It is said that the journey of the Dalang of the Kelantan Shadow play is first and foremost determined by the existence of the Angin in him for without which, this vocation will not materialise. Once confirmed, he will undergo the basic, intermediate and advanced level of the ‘Way of the Dalang’. There are twelve types of Angin in the human that is divided into three. First is the Angin found in all Malay traditional arts inclusive of Wayang Kulit and Mak Yong. It is also present in the traditional Kelantan arts through lineage that includes Dalang Wayang Kulit (Malay Shadow play Dalang), Boinoh (healer) or Dukun, Bidan (midwife), Tukang Urut (masseur). The third is the Angin called Saka and this seem to point to the darker side of the Angin. This thesis is concerned only with the first and the second type of Angin while acknowledging the existence of the third. Angin is also said to be a concept of energy or soul or semangat, or nafsu that could also lead to pity or belas and intense pleasure or as an artistic temperament. Some Dalangs also added the word kehendak (will) as the Angin while agreeing to the word semangat (will), nafsu (ego/consciousness) and belas (Mercy) and nafas (breath). However, in all of the definitions above, none has explained in detail what the Angin is and how it is derived. The Angin of the Dalang in this research has been determined to reside in the Internal nowledge of the Dalang. Its presence is in the advanced training known as Sumpah Aturan Rahsia (The Oath of Secrecy). It consists of the process of'Penyatuan dan Penyebatian (Union and Subsistence), Pertapaan/ Meditasi (Meditation) and Mantera (Invocation). Through purposive sampling, the words uttered by the Dalang in the indepth interviews conducted and what is revealed about their training, before or pre-performance knowledge, the stories during the performances and the characters involved becomes the clues and signposts in developing the idea of the Angin within the Dalang. By applying the qualitative method which includes In-depth interview through the approach of Islamic Mysticism and Philosophy, the researcher is able to interprete the meaning {Ta’wil) of the Angin of the Dalang and its intrumentation internally and externally. It is found that the Angin of the Dalang is the spiritual principle guiding him in the process of menanggungpesaka (safeguarding tradition). This is seen as the survival kit that will determine the survival of the Dalang of the Kelantan Shadow play with Islam as its pillar. 2014-06 Thesis https://ir.uitm.edu.my/id/eprint/16199/ https://ir.uitm.edu.my/id/eprint/16199/2/16199.pdf text en public phd doctoral Universiti Teknologi MARA Faculty of Film, Theatre and Animation Ishak, Solehah (Prof. Dr.)
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
advisor	Ishak, Solehah (Prof. Dr.)
topic	Shadow plays Wayang etc.
spellingShingle	Shadow plays Wayang etc. Hamzah, Maszalida The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
description	It is said that the journey of the Dalang of the Kelantan Shadow play is first and foremost determined by the existence of the Angin in him for without which, this vocation will not materialise. Once confirmed, he will undergo the basic, intermediate and advanced level of the ‘Way of the Dalang’. There are twelve types of Angin in the human that is divided into three. First is the Angin found in all Malay traditional arts inclusive of Wayang Kulit and Mak Yong. It is also present in the traditional Kelantan arts through lineage that includes Dalang Wayang Kulit (Malay Shadow play Dalang), Boinoh (healer) or Dukun, Bidan (midwife), Tukang Urut (masseur). The third is the Angin called Saka and this seem to point to the darker side of the Angin. This thesis is concerned only with the first and the second type of Angin while acknowledging the existence of the third. Angin is also said to be a concept of energy or soul or semangat, or nafsu that could also lead to pity or belas and intense pleasure or as an artistic temperament. Some Dalangs also added the word kehendak (will) as the Angin while agreeing to the word semangat (will), nafsu (ego/consciousness) and belas (Mercy) and nafas (breath). However, in all of the definitions above, none has explained in detail what the Angin is and how it is derived. The Angin of the Dalang in this research has been determined to reside in the Internal nowledge of the Dalang. Its presence is in the advanced training known as Sumpah Aturan Rahsia (The Oath of Secrecy). It consists of the process of'Penyatuan dan Penyebatian (Union and Subsistence), Pertapaan/ Meditasi (Meditation) and Mantera (Invocation). Through purposive sampling, the words uttered by the Dalang in the indepth interviews conducted and what is revealed about their training, before or pre-performance knowledge, the stories during the performances and the characters involved becomes the clues and signposts in developing the idea of the Angin within the Dalang. By applying the qualitative method which includes In-depth interview through the approach of Islamic Mysticism and Philosophy, the researcher is able to interprete the meaning {Ta’wil) of the Angin of the Dalang and its intrumentation internally and externally. It is found that the Angin of the Dalang is the spiritual principle guiding him in the process of menanggungpesaka (safeguarding tradition). This is seen as the survival kit that will determine the survival of the Dalang of the Kelantan Shadow play with Islam as its pillar.
format	Thesis
qualification_name	Doctor of Philosophy (PhD.)
qualification_level	Doctorate
author	Hamzah, Maszalida
author_facet	Hamzah, Maszalida
author_sort	Hamzah, Maszalida
title	The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
title_short	The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
title_full	The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
title_fullStr	The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
title_full_unstemmed	The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah
title_sort	angin of the dalang in the kelantan shadow play / maszalida hamzah
granting_institution	Universiti Teknologi MARA
granting_department	Faculty of Film, Theatre and Animation
publishDate	2014
url	https://ir.uitm.edu.my/id/eprint/16199/2/16199.pdf
_version_	1804889558849945600

The Angin of the Dalang in the Kelantan shadow play / Maszalida Hamzah

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