Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari

Generally, batik means 'tik' means 'to drip' or 'to drop'. Meanwhile, batik cap or block batik is a technique of wax - resist colour on a cloth made by pressing the fabric with a copper block. In the 1950s and 1960s, batik block with local identity was produced. Unfortu...

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Main Author:	Mohd Kari, Rabiatuadawiyah
Format:	Thesis
Language:	English English
Published:	2020
Subjects:	Technique
Online Access:	https://ir.uitm.edu.my/id/eprint/32512/1/32512%20VOL%20I.pdf https://ir.uitm.edu.my/id/eprint/32512/2/32512%20VOL%20II.pdf
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id	my-uitm-ir.32512
record_format	uketd_dc
spelling	my-uitm-ir.325122022-10-11T03:20:41Z Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari 2020 Mohd Kari, Rabiatuadawiyah Technique Textile decoration. Textile painting Generally, batik means 'tik' means 'to drip' or 'to drop'. Meanwhile, batik cap or block batik is a technique of wax - resist colour on a cloth made by pressing the fabric with a copper block. In the 1950s and 1960s, batik block with local identity was produced. Unfortunately, nowadays, Malaysian batik block does not portray a strong identity as compared to the Indonesian. Based on these problems, objective of this study is; to classify the various type of the local block batik motif and design base on characteristic and local features using suitable methodology to propose guideline. Hence, the aim of this study is to uplift the appreciation and awareness toward motif and design of local block batik identity among the society. The focus is at Terengganu and Kelantan. This qualitative study is in descriptive writing. Whereas, the sample technique is purposive sampling. This research used observation, document analyse and structured interview open ended with close ended. The data were gained from primary and secondary. The artefact are 421 of block batik motif. The typology analysis were used to classify motif and design of block batik (sarang) from 1920s until 2018s. The analysis Edmund Feldman, and Zakaria Ali theory were combined to analyse the motif and design of block batik fabric. The expected outcome is the guideline in designing block batik motif and design base on the Malaysia's identity. The recommendation for future study is the comparison of specific block batik identity at every district in Kelantan and Terengganu. 2020 Thesis https://ir.uitm.edu.my/id/eprint/32512/ https://ir.uitm.edu.my/id/eprint/32512/1/32512%20VOL%20I.pdf text en public https://ir.uitm.edu.my/id/eprint/32512/2/32512%20VOL%20II.pdf text en public phd doctoral Universiti Teknologi MARA (UiTM) Faculty of Art and Design Samin, Mohd Azhar Legino, Rafeah
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English English
advisor	Samin, Mohd Azhar Legino, Rafeah
topic	Technique Technique
spellingShingle	Technique Technique Mohd Kari, Rabiatuadawiyah Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
description	Generally, batik means 'tik' means 'to drip' or 'to drop'. Meanwhile, batik cap or block batik is a technique of wax - resist colour on a cloth made by pressing the fabric with a copper block. In the 1950s and 1960s, batik block with local identity was produced. Unfortunately, nowadays, Malaysian batik block does not portray a strong identity as compared to the Indonesian. Based on these problems, objective of this study is; to classify the various type of the local block batik motif and design base on characteristic and local features using suitable methodology to propose guideline. Hence, the aim of this study is to uplift the appreciation and awareness toward motif and design of local block batik identity among the society. The focus is at Terengganu and Kelantan. This qualitative study is in descriptive writing. Whereas, the sample technique is purposive sampling. This research used observation, document analyse and structured interview open ended with close ended. The data were gained from primary and secondary. The artefact are 421 of block batik motif. The typology analysis were used to classify motif and design of block batik (sarang) from 1920s until 2018s. The analysis Edmund Feldman, and Zakaria Ali theory were combined to analyse the motif and design of block batik fabric. The expected outcome is the guideline in designing block batik motif and design base on the Malaysia's identity. The recommendation for future study is the comparison of specific block batik identity at every district in Kelantan and Terengganu.
format	Thesis
qualification_name	Doctor of Philosophy (PhD.)
qualification_level	Doctorate
author	Mohd Kari, Rabiatuadawiyah
author_facet	Mohd Kari, Rabiatuadawiyah
author_sort	Mohd Kari, Rabiatuadawiyah
title	Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
title_short	Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
title_full	Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
title_fullStr	Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
title_full_unstemmed	Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari
title_sort	preserving the motif identity of malaysian local block batik / rabiatuadawiyah mohd kari
granting_institution	Universiti Teknologi MARA (UiTM)
granting_department	Faculty of Art and Design
publishDate	2020
url	https://ir.uitm.edu.my/id/eprint/32512/1/32512%20VOL%20I.pdf https://ir.uitm.edu.my/id/eprint/32512/2/32512%20VOL%20II.pdf
_version_	1783734169555173376

Preserving the motif identity of Malaysian local block batik / Rabiatuadawiyah Mohd Kari

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