The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din

The researcher has been intrigued by the term 'era pluralis' that she read in a promotional book, 'ILHAM 92' for an art exhibition organized by the Faculty of Art & Design, Institiut Teknologi MARA (now Universiti Teknologi MARA) in 1992. Upon further reading, she was inspire...

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المؤلف الرئيسي:	Mohd Din, Nurul Huda
التنسيق:	أطروحة
اللغة:	English
منشور في:	2006
الموضوعات:	Examination and conservation of paintings
الوصول للمادة أونلاين:	https://ir.uitm.edu.my/id/eprint/39486/1/39486.pdf
الوسوم:	إضافة وسم لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!

id	my-uitm-ir.39486
record_format	uketd_dc
spelling	my-uitm-ir.394862022-09-26T03:36:07Z The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din 2006 Mohd Din, Nurul Huda Examination and conservation of paintings The researcher has been intrigued by the term 'era pluralis' that she read in a promotional book, 'ILHAM 92' for an art exhibition organized by the Faculty of Art & Design, Institiut Teknologi MARA (now Universiti Teknologi MARA) in 1992. Upon further reading, she was inspired to conduct a study based on the terminology. As explained by Muliyadi Mahamood (now Dr.) the early 1990s decade was termed as the pluralist era based on the variety of styles in terms of approaches and media used in art to express certain ideas. The main objectives in this research were firstly, to analyse the various styles of contemporary art in Malaysia in the 1990s and secondly, to offer a methodology in analyzing, elaborating and classifying the styles. For this purpose, the researcher has selected 17 contemporary paintings of Malaysian artists for this study. The paintings were chosen based on the consistencies of the artists in producing works of that particular genre within the decade of the 1990's. She has also included a brief explanation on the development of the art styles in Malaysia beginning from the preIndependence days. In order to conduct the analysis, the researcher has adopted the Theory on Style by Meyer Schapiro and the analysis approach of Erwin Panofsky as the methodologies of this study. The various styles were firstly categorized into three main groups, which are the Ethnic, Islamic and Western styles of painting. The ethnic style is that which incorporates ethnic elements. The Islamic style is that which is infused with Islamic characteristics whilst the Western style is any other styles different from the previous two and is more universal in nature. The results of the analysis showed that of the 17 paintings, seven were classified in the ethnic style, two were Islamic and the other eight as western. Based on the findings, the researcher can safely conclude that the methodologies used in this study are reliable for the purpose of discussions on the paintings 2006 Thesis https://ir.uitm.edu.my/id/eprint/39486/ https://ir.uitm.edu.my/id/eprint/39486/1/39486.pdf text en public masters Universiti Teknologi MARA (UiTM) Faculty of Art & Design Mahamood, Muliyadi
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
advisor	Mahamood, Muliyadi
topic	Examination and conservation of paintings
spellingShingle	Examination and conservation of paintings Mohd Din, Nurul Huda The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
description	The researcher has been intrigued by the term 'era pluralis' that she read in a promotional book, 'ILHAM 92' for an art exhibition organized by the Faculty of Art & Design, Institiut Teknologi MARA (now Universiti Teknologi MARA) in 1992. Upon further reading, she was inspired to conduct a study based on the terminology. As explained by Muliyadi Mahamood (now Dr.) the early 1990s decade was termed as the pluralist era based on the variety of styles in terms of approaches and media used in art to express certain ideas. The main objectives in this research were firstly, to analyse the various styles of contemporary art in Malaysia in the 1990s and secondly, to offer a methodology in analyzing, elaborating and classifying the styles. For this purpose, the researcher has selected 17 contemporary paintings of Malaysian artists for this study. The paintings were chosen based on the consistencies of the artists in producing works of that particular genre within the decade of the 1990's. She has also included a brief explanation on the development of the art styles in Malaysia beginning from the preIndependence days. In order to conduct the analysis, the researcher has adopted the Theory on Style by Meyer Schapiro and the analysis approach of Erwin Panofsky as the methodologies of this study. The various styles were firstly categorized into three main groups, which are the Ethnic, Islamic and Western styles of painting. The ethnic style is that which incorporates ethnic elements. The Islamic style is that which is infused with Islamic characteristics whilst the Western style is any other styles different from the previous two and is more universal in nature. The results of the analysis showed that of the 17 paintings, seven were classified in the ethnic style, two were Islamic and the other eight as western. Based on the findings, the researcher can safely conclude that the methodologies used in this study are reliable for the purpose of discussions on the paintings
format	Thesis
qualification_level	Master's degree
author	Mohd Din, Nurul Huda
author_facet	Mohd Din, Nurul Huda
author_sort	Mohd Din, Nurul Huda
title	The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
title_short	The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
title_full	The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
title_fullStr	The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
title_full_unstemmed	The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din
title_sort	styles of contemporary malaysian paintings in the 1990s / nurul huda mohd din
granting_institution	Universiti Teknologi MARA (UiTM)
granting_department	Faculty of Art & Design
publishDate	2006
url	https://ir.uitm.edu.my/id/eprint/39486/1/39486.pdf
_version_	1783734514138218496

The styles of contemporary Malaysian paintings in the 1990s / Nurul Huda Mohd Din

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