The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin

Timpani or kettledrums are the instruments that arose in the 15th century and developed along with world modernization. Along the way until its appearance today, the timpani have gone through lots of modifications, in terms of size, tuning mechanisms, and skinheads. But it still retains the same cha...

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Bibliographic Details
Main Author:	Mohamad Safiruddin, Muhammad Farhan
Format:	Thesis
Language:	English
Published:	2012
Subjects:	History and criticism Composition and performance MT Musical instruction and study
Online Access:	https://ir.uitm.edu.my/id/eprint/45403/1/45403.pdf
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id	my-uitm-ir.45403
record_format	uketd_dc
spelling	my-uitm-ir.454032022-07-06T01:12:50Z The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin 2012 Mohamad Safiruddin, Muhammad Farhan History and criticism Composition and performance MT Musical instruction and study Timpani or kettledrums are the instruments that arose in the 15th century and developed along with world modernization. Along the way until its appearance today, the timpani have gone through lots of modifications, in terms of size, tuning mechanisms, and skinheads. But it still retains the same characteristic shape of the timpani, resembling a bowl. This research study begins with a historical account of the origins of ancient timpani. This study examines the natures of the baroque timpani, its performance practice, and how to emulate the sound of baroque timpani on the modern timpani. It begins with a historical account of the origins of ancient timpani. I have accessed historical research literature throughout this undertaking and I was able to complete my research mostly through extensive reading and data collection. Thus, my study demonstrates the importance of knowing the historical background of the timpani as an ancient instrument. 2012 Thesis https://ir.uitm.edu.my/id/eprint/45403/ https://ir.uitm.edu.my/id/eprint/45403/1/45403.pdf text en public degree Universiti Teknologi Mara Faculty of Music
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
topic	History and criticism Composition and performance MT Musical instruction and study
spellingShingle	History and criticism Composition and performance MT Musical instruction and study Mohamad Safiruddin, Muhammad Farhan The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
description	Timpani or kettledrums are the instruments that arose in the 15th century and developed along with world modernization. Along the way until its appearance today, the timpani have gone through lots of modifications, in terms of size, tuning mechanisms, and skinheads. But it still retains the same characteristic shape of the timpani, resembling a bowl. This research study begins with a historical account of the origins of ancient timpani. This study examines the natures of the baroque timpani, its performance practice, and how to emulate the sound of baroque timpani on the modern timpani. It begins with a historical account of the origins of ancient timpani. I have accessed historical research literature throughout this undertaking and I was able to complete my research mostly through extensive reading and data collection. Thus, my study demonstrates the importance of knowing the historical background of the timpani as an ancient instrument.
format	Thesis
qualification_level	Bachelor degree
author	Mohamad Safiruddin, Muhammad Farhan
author_facet	Mohamad Safiruddin, Muhammad Farhan
author_sort	Mohamad Safiruddin, Muhammad Farhan
title	The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
title_short	The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
title_full	The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
title_fullStr	The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
title_full_unstemmed	The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin
title_sort	nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / muhammad farhan mohamad safiruddin
granting_institution	Universiti Teknologi Mara
granting_department	Faculty of Music
publishDate	2012
url	https://ir.uitm.edu.my/id/eprint/45403/1/45403.pdf
_version_	1783734737695670272

The nature of baroque timpani, its performance practice and ways to emulate the baroque sound on the modern timpani / Muhammad Farhan Mohamad Safiruddin

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