Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi

Piano interpretation is an important playing style for interpreting pieces of music. Indeed, it is intended to add to the knowledge of the appropriate method of interpretation for as elected work. This study is an investigation into the framework and characteristics of the interpretation of piano pi...

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Main Author:	Mohd Farid Hamdi, Nur Fatira Hamdi
Format:	Thesis
Language:	English
Published:	2023
Subjects:	Aspects of the field of music as a whole
Online Access:	https://ir.uitm.edu.my/id/eprint/75346/1/75346.pdf
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id	my-uitm-ir.75346
record_format	uketd_dc
spelling	my-uitm-ir.753462023-03-28T07:41:44Z Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi 2023 Mohd Farid Hamdi, Nur Fatira Hamdi Aspects of the field of music as a whole Music as a profession. Vocational guidance Piano interpretation is an important playing style for interpreting pieces of music. Indeed, it is intended to add to the knowledge of the appropriate method of interpretation for as elected work. This study is an investigation into the framework and characteristics of the interpretation of piano pieces during the Baroque period. To refine the investigation, my research focused on the relevant characteristics of the performed parts that I specifically identified as Dynamic, Pace, and Pronunciation for "Prelude No. C minor, BWV 847". This study also explains a brief comparative history between the Baroque period and the modern period, because it is important to know the history of Baroque music before the music of the Baroque period is forgotten. The purpose of this study was to define characteristics and create a framework for implementing Prelude and Fugue No. 2 in C minor, BWV 847, which I successfully presented, illustrated and explained the methods. and key techniques used to create an interpretation of the prelude. No. 2 in C minor, BWV 847. I supported detailed evidence regarding the question in chapter four (4) I was able to complete my investigation primarily by analysing Prelude and Fugue No. 2 in C minor, BWV 847 by three performers such as Sviatoslav Richter, Glenn Gould and Andras Schiff. There are the greatest symbols in piano covers. 2023 Thesis https://ir.uitm.edu.my/id/eprint/75346/ https://ir.uitm.edu.my/id/eprint/75346/1/75346.pdf text en public degree Universiti Teknologi MARA (UiTM) Faculty of Music Syed Mohammed, Sharifah Faizah
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
advisor	Syed Mohammed, Sharifah Faizah
topic	Aspects of the field of music as a whole Aspects of the field of music as a whole
spellingShingle	Aspects of the field of music as a whole Aspects of the field of music as a whole Mohd Farid Hamdi, Nur Fatira Hamdi Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
description	Piano interpretation is an important playing style for interpreting pieces of music. Indeed, it is intended to add to the knowledge of the appropriate method of interpretation for as elected work. This study is an investigation into the framework and characteristics of the interpretation of piano pieces during the Baroque period. To refine the investigation, my research focused on the relevant characteristics of the performed parts that I specifically identified as Dynamic, Pace, and Pronunciation for "Prelude No. C minor, BWV 847". This study also explains a brief comparative history between the Baroque period and the modern period, because it is important to know the history of Baroque music before the music of the Baroque period is forgotten. The purpose of this study was to define characteristics and create a framework for implementing Prelude and Fugue No. 2 in C minor, BWV 847, which I successfully presented, illustrated and explained the methods. and key techniques used to create an interpretation of the prelude. No. 2 in C minor, BWV 847. I supported detailed evidence regarding the question in chapter four (4) I was able to complete my investigation primarily by analysing Prelude and Fugue No. 2 in C minor, BWV 847 by three performers such as Sviatoslav Richter, Glenn Gould and Andras Schiff. There are the greatest symbols in piano covers.
format	Thesis
qualification_level	Bachelor degree
author	Mohd Farid Hamdi, Nur Fatira Hamdi
author_facet	Mohd Farid Hamdi, Nur Fatira Hamdi
author_sort	Mohd Farid Hamdi, Nur Fatira Hamdi
title	Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
title_short	Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
title_full	Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
title_fullStr	Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
title_full_unstemmed	Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi
title_sort	interpreting the baroque prelude from prelude and fugue no.2 in c minor bwv 847 by j. s.bach / nur fatira hamdi mohd farid hamdi
granting_institution	Universiti Teknologi MARA (UiTM)
granting_department	Faculty of Music
publishDate	2023
url	https://ir.uitm.edu.my/id/eprint/75346/1/75346.pdf
_version_	1783736046588002304

Interpreting the Baroque Prelude from Prelude and Fugue no.2 in C minor BWV 847 by J. S.Bach / Nur Fatira Hamdi Mohd Farid Hamdi

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