Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim

Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Cont...

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Main Author:	Salim, Izzliyana
Format:	Thesis
Language:	English
Published:	2022
Subjects:	Instrumental music Analysis and appreciation of music
Online Access:	https://ir.uitm.edu.my/id/eprint/75578/1/75578.pdf
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id	my-uitm-ir.75578
record_format	uketd_dc
spelling	my-uitm-ir.755782024-07-18T06:04:47Z Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim 2022 Salim, Izzliyana Instrumental music Analysis and appreciation of music Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Contrary to Chopin's style of rubato playing, which is the 'melodic rubato', Sviatoslav Richter and Li Yundi used 'accelerando and rallentando' and 'tenuto and agogic accent' to perform Chopin's Nocturne, Op. 15 No. 3 in G minor. The findings of this study indicates that Chopin's rubato is no longer widely used in this century. 2022 Thesis https://ir.uitm.edu.my/id/eprint/75578/ https://ir.uitm.edu.my/id/eprint/75578/1/75578.pdf text en public degree Universiti Teknologi MARA (UiTM) Faculty of Music Montoya Valencia, Juan Daniel
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
advisor	Montoya Valencia, Juan Daniel
topic	Instrumental music Analysis and appreciation of music
spellingShingle	Instrumental music Analysis and appreciation of music Salim, Izzliyana Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
description	Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Contrary to Chopin's style of rubato playing, which is the 'melodic rubato', Sviatoslav Richter and Li Yundi used 'accelerando and rallentando' and 'tenuto and agogic accent' to perform Chopin's Nocturne, Op. 15 No. 3 in G minor. The findings of this study indicates that Chopin's rubato is no longer widely used in this century.
format	Thesis
qualification_level	Bachelor degree
author	Salim, Izzliyana
author_facet	Salim, Izzliyana
author_sort	Salim, Izzliyana
title	Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
title_short	Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
title_full	Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
title_fullStr	Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
title_full_unstemmed	Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
title_sort	comparing rubato playing on chopin's nocturne, op. 15 no. 3 in g minor / izzliyana salim
granting_institution	Universiti Teknologi MARA (UiTM)
granting_department	Faculty of Music
publishDate	2022
url	https://ir.uitm.edu.my/id/eprint/75578/1/75578.pdf
_version_	1811768657689182208

Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim

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