Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron

The history of representing the landscape as a visual notion advocate that its origins may be traced back to the Renaissance period, when painters sought a visual portrayal of truth rather than being a vehicle for human subjectivity. In the history of European Renaissance, scholars trace this discov...

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Main Author:	Pujazon Patron, Ernesto Carlos
Format:	Thesis
Language:	English
Published:	2022
Subjects:	Art and the state Public art
Online Access:	https://ir.uitm.edu.my/id/eprint/78527/1/78527.pdf
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id	my-uitm-ir.78527
record_format	uketd_dc
spelling	my-uitm-ir.785272023-05-29T04:36:57Z Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron 2022 Pujazon Patron, Ernesto Carlos Art and the state. Public art The history of representing the landscape as a visual notion advocate that its origins may be traced back to the Renaissance period, when painters sought a visual portrayal of truth rather than being a vehicle for human subjectivity. In the history of European Renaissance, scholars trace this discovery to a Florentine architect and mason named Filippo Brunelleschi (1377-1446), who defined the technique of depicting objects from the picture plane in relation to the viewer's eyes. The approach used to portray this depiction has been the corn stone and the evolution of comprehending the physical visual space, the linear perspective, and other components of art. The research drive to develop a unique approach in identifying the application of elementary space, linear perspective principles within the Malaysian visual field of landscape painting. As an assumption in this process of examination and based on the lack of evidence in this particular field presented in the limitation of this study, this research is intended to contribute to the creation of a clear understanding by providing new insights into the present prevalent practices among Malaysian artists. The study is inspired by the need to create a distinct strategy to recognizing the application of elementary space and the rule of linear perspective within the Malaysian visual arts scene in the field of landscape painting. What compels Malaysian artists to apply Western studies of elementary space and linear perspective techniques in their landscape paintings. Based on the data and arguments offered, inferences would be reached. In this observational method, it is critical to take a step back and analyze the strategy chosen to reach concluding results. It is believed that the findings provide fresh information that may be used to advance other fields, future research such as digital landscape, color, and composition in paintings. 2022 Thesis https://ir.uitm.edu.my/id/eprint/78527/ https://ir.uitm.edu.my/id/eprint/78527/1/78527.pdf text en public phd doctoral Universiti Teknologi MARA (UiTM) College of Creative Arts Mokhtar, Mumtaz
institution	Universiti Teknologi MARA
collection	UiTM Institutional Repository
language	English
advisor	Mokhtar, Mumtaz
topic	Art and the state Public art
spellingShingle	Art and the state Public art Pujazon Patron, Ernesto Carlos Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
description	The history of representing the landscape as a visual notion advocate that its origins may be traced back to the Renaissance period, when painters sought a visual portrayal of truth rather than being a vehicle for human subjectivity. In the history of European Renaissance, scholars trace this discovery to a Florentine architect and mason named Filippo Brunelleschi (1377-1446), who defined the technique of depicting objects from the picture plane in relation to the viewer's eyes. The approach used to portray this depiction has been the corn stone and the evolution of comprehending the physical visual space, the linear perspective, and other components of art. The research drive to develop a unique approach in identifying the application of elementary space, linear perspective principles within the Malaysian visual field of landscape painting. As an assumption in this process of examination and based on the lack of evidence in this particular field presented in the limitation of this study, this research is intended to contribute to the creation of a clear understanding by providing new insights into the present prevalent practices among Malaysian artists. The study is inspired by the need to create a distinct strategy to recognizing the application of elementary space and the rule of linear perspective within the Malaysian visual arts scene in the field of landscape painting. What compels Malaysian artists to apply Western studies of elementary space and linear perspective techniques in their landscape paintings. Based on the data and arguments offered, inferences would be reached. In this observational method, it is critical to take a step back and analyze the strategy chosen to reach concluding results. It is believed that the findings provide fresh information that may be used to advance other fields, future research such as digital landscape, color, and composition in paintings.
format	Thesis
qualification_name	Doctor of Philosophy (PhD.)
qualification_level	Doctorate
author	Pujazon Patron, Ernesto Carlos
author_facet	Pujazon Patron, Ernesto Carlos
author_sort	Pujazon Patron, Ernesto Carlos
title	Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
title_short	Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
title_full	Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
title_fullStr	Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
title_full_unstemmed	Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron
title_sort	application of western understanding of elementary space, principles of perspective to landscape painting in malaysian visual arts / ernesto carlos pujazon patron
granting_institution	Universiti Teknologi MARA (UiTM)
granting_department	College of Creative Arts
publishDate	2022
url	https://ir.uitm.edu.my/id/eprint/78527/1/78527.pdf
_version_	1783736254068686848

Application of western understanding of elementary space, principles of perspective to landscape painting in Malaysian visual arts / Ernesto Carlos Pujazon Patron

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