Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi

This dissertation investigates Kaili structured sonic and movement systems, postindependence inception of the performing art genres of music and dance, and new approaches to compositions and choreographies during the reformation era in Central Sulawesi. Ethnomusicological studies of Indonesian tradi...

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Main Author:	Santaella, Mayco A.
Format:	Thesis
Language:	English
Published:	2016
Subjects:	Performing arts - Indonesia Heritage - Indonesia
Online Access:	http://psasir.upm.edu.my/id/eprint/69194/1/FEM%202016%2013%20IR.pdf
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id	my-upm-ir.69194
record_format	uketd_dc
spelling	my-upm-ir.691942019-06-27T07:28:53Z Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi 2016-03 Santaella, Mayco A. This dissertation investigates Kaili structured sonic and movement systems, postindependence inception of the performing art genres of music and dance, and new approaches to compositions and choreographies during the reformation era in Central Sulawesi. Ethnomusicological studies of Indonesian traditions and national cultural policies have concentrated largely on Javanese and Balinese forms of expression.While some studies of periphery regions have documented traditions and the application of national policies, an ethnomusicological and ethnochoreological discourse of marginalized communities in Central Sulawesi is almost non-existent. In order to contribute to this discourse,this dissertation utilizes a tripartite analysis. First,is the analysis of pre-independence Kaili sonic and movement heritages; secondly,the development of nationalized aesthetics in the post-independence kreasi baru (new creation) genre from 1945 to 1998; and thirdly an analysis of new approaches to staged presentations contesting kreasi baru during the reformation era (r.1998-present).This dissertation is the product of ethnographic research carried out in Central Sulawesi during annual field research since 2005. Each chapter presents an analysis of case studies of both individual and ensemble approaches to the presentation and representation of Kaili culture. The investigation scrutinizes a Kaili heritage of sonic and movement systems as participatory components of larger events. It also investigates the inception of post-independence music and dance genres depicting nationalized aesthetics, as well as a post-national contestation of kreasi baru through new compositional and choreographical approaches. I argue that these three forms namely the heritage, the national and the post-national are part of the present cultural matrix that represents Kaili identity through performance. Performing arts - Indonesia Heritage - Indonesia 2016-03 Thesis http://psasir.upm.edu.my/id/eprint/69194/ http://psasir.upm.edu.my/id/eprint/69194/1/FEM%202016%2013%20IR.pdf text en public doctoral Universiti Putra Malaysia Performing arts - Indonesia Heritage - Indonesia
institution	Universiti Putra Malaysia
collection	PSAS Institutional Repository
language	English
topic	Performing arts - Indonesia Heritage - Indonesia
spellingShingle	Performing arts - Indonesia Heritage - Indonesia Santaella, Mayco A. Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
description	This dissertation investigates Kaili structured sonic and movement systems, postindependence inception of the performing art genres of music and dance, and new approaches to compositions and choreographies during the reformation era in Central Sulawesi. Ethnomusicological studies of Indonesian traditions and national cultural policies have concentrated largely on Javanese and Balinese forms of expression.While some studies of periphery regions have documented traditions and the application of national policies, an ethnomusicological and ethnochoreological discourse of marginalized communities in Central Sulawesi is almost non-existent. In order to contribute to this discourse,this dissertation utilizes a tripartite analysis. First,is the analysis of pre-independence Kaili sonic and movement heritages; secondly,the development of nationalized aesthetics in the post-independence kreasi baru (new creation) genre from 1945 to 1998; and thirdly an analysis of new approaches to staged presentations contesting kreasi baru during the reformation era (r.1998-present).This dissertation is the product of ethnographic research carried out in Central Sulawesi during annual field research since 2005. Each chapter presents an analysis of case studies of both individual and ensemble approaches to the presentation and representation of Kaili culture. The investigation scrutinizes a Kaili heritage of sonic and movement systems as participatory components of larger events. It also investigates the inception of post-independence music and dance genres depicting nationalized aesthetics, as well as a post-national contestation of kreasi baru through new compositional and choreographical approaches. I argue that these three forms namely the heritage, the national and the post-national are part of the present cultural matrix that represents Kaili identity through performance.
format	Thesis
qualification_level	Doctorate
author	Santaella, Mayco A.
author_facet	Santaella, Mayco A.
author_sort	Santaella, Mayco A.
title	Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
title_short	Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
title_full	Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
title_fullStr	Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
title_full_unstemmed	Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi
title_sort	kaili structured sonic and movement systems, kreasi baru, and the assertion of a national presence through the performing arts in central sulawesi
granting_institution	Universiti Putra Malaysia
publishDate	2016
url	http://psasir.upm.edu.my/id/eprint/69194/1/FEM%202016%2013%20IR.pdf
_version_	1747812670492377088

Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi

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