الأسطورة في النثر الليبي العربي الحديث: دراسة وصفية تحليلية
The myth was formed through primitive human thought, infiltrated into the world literary texts, then Arabic, as a civilizational heritage that attracted the minds of the literati and their pens; it had been examined by critics in the old and the modern, and it occupied their minds, becoming one of t...
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| Summary: | The myth was formed through primitive human thought, infiltrated into the world literary texts, then Arabic, as a civilizational heritage that attracted the minds of the literati and their pens; it had been examined by critics in the old and the modern, and it occupied their minds, becoming one of the most prominent artistic phenomena, a tool for esthetic formation and artistic expression. The problem of the study is employment of the myth in literary works; As its concept has been shrouded in mystery, because of its overlap with various sciences; literary, philosophical, anthropology, psychology, and sociology, makes it highly homogeneous, and thus highly camouflage. The myth may contribute to the building of the literary text, and may be a cause of its collapse. The problem is deeper when studying the modern Arabic Libyan prose, in which no critical studies on the myth have been established in line with the monetary movement in Arab literature. For that, the objective of the study was to discuss the formation of the myth in the critical thought as a critical standard, monitor its topics employed in the modern Arab Libyan prose, and the study centered on the extent to which the modern Arab Libyan writer is able on the employment of myth and weave it inside the folds of the prose blog, and analyze the symbolic and imaginary evidence that it contains, and the literary and esthetic function that it has to do with the building of the prose text to reveal the total artistic and esthetic dimensions it has gained for the modern Arab Libyan literary texts. The study adopted several approaches are: The anthropological approach to research in human primitive thought, the mythical monetary approach, and inductive approach to tracking and revealing the semantics of mythical elements, and the deductive approach to inference to legendary hiring techniques, and the analytical approach to analyze sample text, interpret legendary signals and connect them to the text. The study came in seven chapters: The first: The general framework of the study. The second: The myth in the human thought. The third: Synergies among the world of myth and literature. The fourth: Myth issues in the modern Arab Libyan prose. The fifth: Mythological construction is a radiation axis of the modern Arab Libyan prose. The sixth chapter came: To evaluate the esthetics of mythological employment in the modern Arab Libyan prose. The seventh: Conclusions and recommendations. The findings of this study show that modern Libyan Arabic writers have the ability to use myths to make literary works have interesting art and have aesthetic value, by making the images in a myth as something related to the real world, to make the recipient or reader believe in the truthfulness of what writer says, that it is a historical and social fact taken from reality. This means that the artistic creations of these writers are taken from their imagination through the world of reality, but the fact is that it is an urge to explain the reality of life. Thus, modern Libyan writers benefit positively from the use of mythical elements in literary texts because the merging of fictional texts, theater, folklore or story text will enhance the beauty of the artistic creation and will give pleasure to the reader. Among the recommendations of this study is to continue the study of critical literature on myth and its Rationales in Libyan literature. |
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