Formulation Of Visual Narrative Reading And Coding Approach Through Cultural Waterfront Portraiture Photographs Analysis
Present Visual Narratology almost exclusively encompass images in motion or sequential images despite some dialectics arguing the possibility of extending to single, still frame images. Inversely, present Visual Semiotics encompassing singular, still frame images share a proclivity for culturally-in...
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| Main Author: | |
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| Format: | Thesis |
| Language: | English |
| Published: |
2022
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| Subjects: | |
| Online Access: | http://eprints.usm.my/59520/1/24%20Pages%20from%20EDDY%20IZUWAN%20BIN%20MUSA.pdf |
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| Summary: | Present Visual Narratology almost exclusively encompass images in motion or sequential images despite some dialectics arguing the possibility of extending to single, still frame images. Inversely, present Visual Semiotics encompassing singular, still frame images share a proclivity for culturally-informed interpretations but do not constitute a Narratological perspective. Alongside these issues, the narrative-ability of single still frame images are also being contested. To address these gaps and inconsistencies, the study examines the possibility of a systematic narrativization from the reading of single, still-frame images. It performs its premise by formulating a systematic Visual Narrative Reading and Coding Approach constituting a simultaneous theoretical appropriation of Visual Narratology and Visual Semiotics deployed through a Qualitative Method Design with Visual Coding. Through this systematic approach, any projected narrative rhetoric output would be comprehensive and ethnographically informed of its key Protagonist’s World circumstances while simultaneously be grounded by evidential data deduced from the image’s visual signifiers. T |
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