Artistic research of interpretation and performance on five selected classical guitar works
<p>This study focuses on the viewpoint of a performer in exploiting the five selected</p><p>classical guitar repertoires based on artistic research. The aim of this study is to</p><p>interpret and to perform the five selected clas...
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| 格式: | thesis |
| 語言: | eng |
| 出版: |
2023
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| 主題: | |
| 在線閱讀: | https://ir.upsi.edu.my/detailsg.php?det=11100 |
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| 總結: | <p>This study focuses on the viewpoint of a performer in exploiting the five selected</p><p>classical guitar repertoires based on artistic research. The aim of this study is to</p><p>interpret and to perform the five selected classical guitar repertoires in the form of</p><p>recital. The five selected repertoires include Chaconne BWV 1004 by J.S Bach, Grand</p><p>Overture Op. 61 by Mauro Giuliani, Suite espaola, Op. 47: No.1, 3, 4 and 5 by Isaac</p><p>Albniz (1860 1909), the first and second movement of Concierto de Aranjuez by</p><p>Joaqun Rodrigo and Una limosna por el amor de dios by Agustin Barrios Mangor.</p><p>There are three artistic objectives in this study. The first is to interpret the five selected</p><p>classical guitar repertoires based on objective features of compositional works in the</p><p>context of classical guitar performance. The second is to interpret of the five selected</p><p>classical guitar repertoires based on subjective features of performance perspective in</p><p>the context of classical guitar performance. The third is to integrate objective and</p><p>subjective interpretation of the five selected classical guitar repertoires in the form of</p><p>recital. The methodology in this study has been conducted based on artistic research</p><p>which reported in the form of artistic process and finding. The objective and subjective</p><p>interpretation of the five selected repertoires have been conducted based on symbol</p><p>identification, technical analysis, technical competency, compositional analysis and</p><p>characteristic of composition and also characteristic sound of classical guitar and</p><p>intuition. I belief, this study will make a significant contribution to the development of</p><p>a conceptual framework in the field of music performance in general and classical</p><p>music performance in particular.</p> |
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