Artistic research of interpretation and performance on five selected classical guitar works

<p>This study focuses on the viewpoint of a performer in exploiting the five selected</p><p>classical guitar repertoires based on artistic research. The aim of this study is to</p><p>interpret and to perform the five selected clas...

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Main Author: Djahwasi, Herry Rizal
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Language:eng
Published: 2023
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Online Access:https://ir.upsi.edu.my/detailsg.php?det=11100
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institution Universiti Pendidikan Sultan Idris
collection UPSI Digital Repository
language eng
topic ML Literature of music
spellingShingle ML Literature of music
Djahwasi, Herry Rizal
Artistic research of interpretation and performance on five selected classical guitar works
description <p>This study focuses on the viewpoint of a performer in exploiting the five selected</p><p>classical guitar repertoires based on artistic research. The aim of this study is to</p><p>interpret and to perform the five selected classical guitar repertoires in the form of</p><p>recital. The five selected repertoires include Chaconne BWV 1004 by J.S Bach, Grand</p><p>Overture Op. 61 by Mauro Giuliani, Suite espaola, Op. 47: No.1, 3, 4 and 5 by Isaac</p><p>Albniz (1860 1909), the first and second movement of Concierto de Aranjuez by</p><p>Joaqun Rodrigo and Una limosna por el amor de dios by Agustin Barrios Mangor.</p><p>There are three artistic objectives in this study. The first is to interpret the five selected</p><p>classical guitar repertoires based on objective features of compositional works in the</p><p>context of classical guitar performance. The second is to interpret of the five selected</p><p>classical guitar repertoires based on subjective features of performance perspective in</p><p>the context of classical guitar performance. The third is to integrate objective and</p><p>subjective interpretation of the five selected classical guitar repertoires in the form of</p><p>recital. The methodology in this study has been conducted based on artistic research</p><p>which reported in the form of artistic process and finding. The objective and subjective</p><p>interpretation of the five selected repertoires have been conducted based on symbol</p><p>identification, technical analysis, technical competency, compositional analysis and</p><p>characteristic of composition and also characteristic sound of classical guitar and</p><p>intuition. I belief, this study will make a significant contribution to the development of</p><p>a conceptual framework in the field of music performance in general and classical</p><p>music performance in particular.</p>
format thesis
qualification_name
qualification_level Doctorate
author Djahwasi, Herry Rizal
author_facet Djahwasi, Herry Rizal
author_sort Djahwasi, Herry Rizal
title Artistic research of interpretation and performance on five selected classical guitar works
title_short Artistic research of interpretation and performance on five selected classical guitar works
title_full Artistic research of interpretation and performance on five selected classical guitar works
title_fullStr Artistic research of interpretation and performance on five selected classical guitar works
title_full_unstemmed Artistic research of interpretation and performance on five selected classical guitar works
title_sort artistic research of interpretation and performance on five selected classical guitar works
granting_institution Universiti Pendidikan Sultan Idris
granting_department Fakulti Muzik dan Seni Persembahan
publishDate 2023
url https://ir.upsi.edu.my/detailsg.php?det=11100
_version_ 1804890585184600064
spelling oai:ir.upsi.edu.my:111002024-07-16 Artistic research of interpretation and performance on five selected classical guitar works 2023 Djahwasi, Herry Rizal ML Literature of music <p>This study focuses on the viewpoint of a performer in exploiting the five selected</p><p>classical guitar repertoires based on artistic research. The aim of this study is to</p><p>interpret and to perform the five selected classical guitar repertoires in the form of</p><p>recital. The five selected repertoires include Chaconne BWV 1004 by J.S Bach, Grand</p><p>Overture Op. 61 by Mauro Giuliani, Suite espaola, Op. 47: No.1, 3, 4 and 5 by Isaac</p><p>Albniz (1860 1909), the first and second movement of Concierto de Aranjuez by</p><p>Joaqun Rodrigo and Una limosna por el amor de dios by Agustin Barrios Mangor.</p><p>There are three artistic objectives in this study. The first is to interpret the five selected</p><p>classical guitar repertoires based on objective features of compositional works in the</p><p>context of classical guitar performance. The second is to interpret of the five selected</p><p>classical guitar repertoires based on subjective features of performance perspective in</p><p>the context of classical guitar performance. The third is to integrate objective and</p><p>subjective interpretation of the five selected classical guitar repertoires in the form of</p><p>recital. The methodology in this study has been conducted based on artistic research</p><p>which reported in the form of artistic process and finding. The objective and subjective</p><p>interpretation of the five selected repertoires have been conducted based on symbol</p><p>identification, technical analysis, technical competency, compositional analysis and</p><p>characteristic of composition and also characteristic sound of classical guitar and</p><p>intuition. I belief, this study will make a significant contribution to the development of</p><p>a conceptual framework in the field of music performance in general and classical</p><p>music performance in particular.</p> 2023 thesis https://ir.upsi.edu.my/detailsg.php?det=11100 https://ir.upsi.edu.my/detailsg.php?det=11100 text eng closedAccess Doctoral Universiti Pendidikan Sultan Idris Fakulti Muzik dan Seni Persembahan <p>Achondo, L. (2020). The guitars apostle: Imaginaries and narratives surrounding Andrs Segovias religious redemption of the classical guitar. Journal of Musicological Research, 39(4), 301324. https://doi.org/10.1080/01411896.2020.1794862</p><p></p><p>Abraham, I. T. (2019). J.S. Bach's Chaconne for solo violin: A performer-composer's approach to interpretation. The University of Arizona.</p><p></p><p>Adorno, T. W. (1993). Music, language, and composition. The Musical Quarterly, 77(3), 401414. https://doi.org/10.1093/mq/77.3.401</p><p></p><p>Allen, W. D. (1962). 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Schirmer Inc., 1939.</p><p></p><p>Bach, J. S. (1879). Chaconne BWV1004 for violin solo. In , A. , Band 27. , (p.32-370)</p><p></p><p>Bach, J. S. (1985). Ciaccona aus der Partita 2da a Violino solo senza Basso BWV1004 in Karl Scheit (ed.) transcribed for guitar Wien (Germany): Universal Editions.</p><p></p><p>Giuliani, M. (1973). Grande Ouverture opus 31 GA 432. Schott Music.</p><p></p><p>Mangor, A. B. (1977). Guitar Works of Agustn Barrios Mangor, Vol. III in Karl Scheit (ed.) Stover, R.D. Alfred Publishing Co.INC.</p><p></p><p>Murray, R. P. (1985) The Editions. in the Bach Chaconne for solo Violin. A collection of Views. Bloomington, Indiana: Frangipani Press.</p><p></p><p>Rodrigo, J. (1984). Concierto de Aranjuez for guitar and orchestra. Ernst Eulenburg.</p><p></p><p>Rodrigo, J. (1980). Concierto de Aranjuez. In Romero, A. (ed.) Concierto de Aranjuez for guitar and orchestra. Schott Music.</p><p></p><p>YOU TUBE</p><p></p><p>ANGEL ROMERO - CONCIERTO DE ARANJUEZ 1/3. (2010, May 10). [Video]. YouTube. https://www.youtube.com/watch?v=TPAUL-sP09o&list=RDTPAUL-sP09o&start_radio=1</p><p></p><p>ANGEL ROMERO - CONCIERTO DE ARANJUEZ - ADAGIO (COMPLETE) - PART 2/3. (2012, November 21). [Video]. YouTube. https://www.youtube.com/watch?v=G0tY8REYdYE&list=RDG0tY8REYdYE&start_radio=1</p><p></p><p>ANGEL ROMERO - CONCIERTO DE ARANJUEZ 3/3. (2010, May 10). [Video]. YouTube. https://www.youtube.com/watch?v=-TIL60UYNmk</p><p></p><p>Bach, Busoni Chaconne in D minor BWV 1004 Arthur Rubinstein. (2012, December 19). [Video]. YouTube. https://www.youtube.com/watch?v=NKYyiD8ypCo</p><p></p><p>Concierto de Aranjuez - Narciso Yepes. (2008, June 24). [Video]. YouTube. https://www.youtube.com/watch?v=qdiRJyI6bxY</p><p></p><p>John Williams in Seville (1993). JOHN WILLIAMS. CONCIERTO DE ARANJUEZ. (2012, July 27). [Video]. YouTube. https://www.youtube.com/watch?v=WQKrVbvUEhY</p><p></p><p>The Very Best of Andrs Segovia Album (1959). J.S. BACH, Chaconne (Violin Partita No. 2 BWV 1004) Andrs SEGOVIA, 1959 ~ RARITY! (2013, February 15). [Video]. YouTube. https://www.youtube.com/watch?v=zcGt9AFlIPY</p><p></p><p>The Baroque Album (1988). Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (Transcribed for Guitar by John Williams). (2015, May 3). [Video]. YouTube. https://www.youtube.com/watch?v=e4pVx9zOQV8</p><p></p><p>Hlne Grimaud: Bach - Chaconne from Partita No. 2 in D minor, BWV 1004 (arr. Ferruccio Busoni). (2020, September 16). [Video]. YouTube. https://www.youtube.com/watch?v=dOHiI_5yycU</p><p></p><p></p><p></p>