An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District

This study aimed to measure the effectiveness of Indian Folklore Animation among Year Five SJK (T) pupils in Kulim District. This study was divided into two steps. First, a qualitative approach was used in the analysis of twelve principles of animation in three series Indian Folklore Animation using...

Full description

Saved in:
Bibliographic Details
Main Author: Chitra Suparmaniam
Format: thesis
Language:eng
Published: 2020
Subjects:
Online Access:https://ir.upsi.edu.my/detailsg.php?det=6814
Tags: Add Tag
No Tags, Be the first to tag this record!
id oai:ir.upsi.edu.my:6814
record_format uketd_dc
institution Universiti Pendidikan Sultan Idris
collection UPSI Digital Repository
language eng
topic
spellingShingle
Chitra Suparmaniam
An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
description This study aimed to measure the effectiveness of Indian Folklore Animation among Year Five SJK (T) pupils in Kulim District. This study was divided into two steps. First, a qualitative approach was used in the analysis of twelve principles of animation in three series Indian Folklore Animation using a checklist of animation principles done by ten animators. The verification process was done by one senior lecturer by exploring and identifying the five narrative elements in the animation series using a table of narrative elements. Second, a quantitative approach using a pre-test and post-test experimental research design was used to measure the effectiveness of Indian Folklore Animation. The measurement was done using a questionnaire on four components of Kellers ARCS Model of Motivation among Year Five pupils. The research participants were 108 pupils from three schools. The participants were randomly assigned to the treatment and the control groups, comprising 54 pupils each. Collected data were examined using descriptive analysis and an independent t-test. The independent t-test was conducted to evaluate the hypothesis that using Indian Folklore Animation produces a significant difference on pupils motivation. The treatment group shows higher motivation (M=84.2, SD=10.1) than the control group (M=75.7, SD=8.8). This difference was significant (t(53)=3.78, p
format thesis
qualification_name
qualification_level Master's degree
author Chitra Suparmaniam
author_facet Chitra Suparmaniam
author_sort Chitra Suparmaniam
title An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
title_short An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
title_full An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
title_fullStr An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
title_full_unstemmed An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District
title_sort analysis of indian folklore animation and measuring its effectiveness among pupils year 5 sjk (t) kulim district
granting_institution Universiti Pendidikan Sultan Idris
granting_department Fakulti Seni, Komputeran dan Industri Kreatif
publishDate 2020
url https://ir.upsi.edu.my/detailsg.php?det=6814
_version_ 1747833315147120640
spelling oai:ir.upsi.edu.my:68142022-02-24 An analysis of Indian Folklore Animation and measuring its effectiveness among pupils year 5 SJK (T) Kulim District 2020 Chitra Suparmaniam This study aimed to measure the effectiveness of Indian Folklore Animation among Year Five SJK (T) pupils in Kulim District. This study was divided into two steps. First, a qualitative approach was used in the analysis of twelve principles of animation in three series Indian Folklore Animation using a checklist of animation principles done by ten animators. The verification process was done by one senior lecturer by exploring and identifying the five narrative elements in the animation series using a table of narrative elements. Second, a quantitative approach using a pre-test and post-test experimental research design was used to measure the effectiveness of Indian Folklore Animation. The measurement was done using a questionnaire on four components of Kellers ARCS Model of Motivation among Year Five pupils. The research participants were 108 pupils from three schools. The participants were randomly assigned to the treatment and the control groups, comprising 54 pupils each. Collected data were examined using descriptive analysis and an independent t-test. The independent t-test was conducted to evaluate the hypothesis that using Indian Folklore Animation produces a significant difference on pupils motivation. The treatment group shows higher motivation (M=84.2, SD=10.1) than the control group (M=75.7, SD=8.8). This difference was significant (t(53)=3.78, p 2020 thesis https://ir.upsi.edu.my/detailsg.php?det=6814 https://ir.upsi.edu.my/detailsg.php?det=6814 text eng closedAccess Masters Universiti Pendidikan Sultan Idris Fakulti Seni, Komputeran dan Industri Kreatif A.J.N. van Breemen (2004). Bringing Robots to Life: Applying Principles of Animation to Robots. Philips Research the NetherlandsAbdullah Hassan (2003). Tatabahasa Bahasa Melayu: Morfologi dan sintaksis untuk guru dan pelajar Bentong, Pahang: PTS Publications and Distributor Sdn. BhdAhmad Rizal Madar & Jailani Md. Yunos. (2005) Gaya Pembelajaran Visual Pelajar Teknikal Menerusi Pembangunan Koswer Berorentasikan Grafik dan Animasi. Fakulti Pendidikan Teknikal, Kolej Universiti Teknologi Tun Hussein OnnAmerican Folklore Society. (2017) What Is Folklore? Indiana University https://www.afsnet.org/page/WhatIsFolkloreAmy Gesenhues. (2016) Lotte Reiniger Google Doodle honors groundbreaking animated filmmaker & her innovative style.Amy Shirong Lu. (2008) The Many Faces of Internationalization in Japanese Anime. SAGE (London, Los Angeles, New Delhi and Singapore)Angie Jones & Jamie Oliff. (2007) Thinking animation, bridging the Gap between 2D and CG. Thomson Course Technology PTR.Animation Industry Size. (2017). Share and Research Report.Arena Animation. (2019) Career in Computer Animation Industry. http://arenasurat.com/career-in-computer-animation-industry/Armilia Sari. (2016) Folklores from South Sumatera in English: Media to Introduce Indonesian Culture to International World. Sriwijaya UniversityAssocham India. (2012) Digital transformation in entertainment and media. New DelhiAugust house. (2014) Why Are Folktales Important? https://www.augusthouse.com/why-are-folktales-importantAutumn. (2017) 10 Principles for Leading the Next Industrial Revolution. Tech & Innovation https://www.strategy-business.com/article/10-Principles-for-Leading-the- Next-Industrial-Revolution?gko=a09b6Ayse Derya Kahraman. (2015) Animation Use as an Educational Material and Animation Techniques. KTO Karatay University, Graphics Design Department.Azizi Yahaya, Jamaludin Ramli & Mazeni Ismail. (2010) Factors That Contributed Stress Among Secondary School Teachers in Four States in Malaysia. Universiti Teknologi MalaysiaBaharuddin Aris, Manimegalai Subramaniam & Rio Sumarni Shariffudin (2001). Rekabentuk Perisian Multimedia. Muapakat Jaya Percitakan Sdn. Bhd.BBC. (2010) The BBC Executives Review and Assessment.Brian Curless & CSE 457. (2017) Animation principles. file:///C:/Users/User/Desktop/journa/animation-principles-4pp.pdfBruce L. Berg & Howard Lune. (2012) Qualitative Research Methods for the Social Sciences, 8th Edition. Hunter College.Carrie Williams. (2007) Research Methods. Grand Canyon UniversityCampbell, Joseph. (1968): The Hero with a Thousand Faces. Princeton University Press, USA.Dan Ben-Amos. (1983) The Idea of Folklore: An Essay. University of PennsylvaniaDan Torre. (2015) Persistent Abstraction: the Animated Works of Max Hattler. Sense of cinema http://sensesofcinema.com/2015/feature-articles/max-hattler-animations/D'Arma, A & Steemers. (2010) Localisation Strategies of US-owned Childrens Television Networks in Five European Markets. IAMCR ConferenceDora Adjei. (2012) The Impact of Job Rotation on Employees Performance A Case Study: Utrak Financial Services LimitedDuan Loose (2001) The Principles of Animation Inform IT http://www.informit.com/articles/article.aspx?p=23096&seqNum=4Dr. Binod Bihari Satpathy. (2015) Indian Culture and Heritage DDCE. Education for all http://ddceutkal.ac.in/Syllabus/MA_history/paper-8.pdfDr Hae-ri Kim. (2016) The Role of Folktales Today. Seoul National University of Education, KoreaElin Olmezer Ozturk. (2015) Contemporary Motivation Theories in Educational Psychology and Language Learning: An Overview. Afyon Kocatepe UniversityEyisi Daniel. (2016) The Usefulness of Qualitative and Quantitative Approaches and Methods in Researching Problem-Solving Ability in Science Education Curriculum. Queens University Belfast, UKF. P. Chew & Z. Ishak. (2010) Malaysia Folk Literature in Early Childhood Education. World Academy of Science, Engineering and TechnologyFairytalez.com. (2019) Indian Fairy Tales, Folk Tales and Fables https://fairytalez.com/region/indian/Faryna Mohd Khalis Normah Mustaffa. (2017) Cultural Inspirations towards Malaysian Animation Character Design. Universiti Kebangsaan MalaysiaFX-10 (2010) Collecting and Classifying Folklore Independent Learning Pursuit (ILP) https://scps.depaul.edu/studentresources/writing/Documents/FX_ILPpaperfolk lore.pdfGhauri, P. N., & Gronhaug, K. (2005) Research methods in business studies: A practical guide. Pearson EducationGlobeNewswire. (2017) Global Animation Industry: Strategies Trends & Opportunities.https://markets.businessinsider.com/news/stocks/global-animation-industry- strategies-trends-opportunities-report-2017-1005554667Girish Menon. (2016) Indian animation and VFX industry is getting bigger and better. Et ContributorsGuardian News (2011) India - Folklore and regional stories https://www.theguardian.com/observer/journeysofthemind/story/0,,1092894, 00.htmlHarun, J. and Tasir, Z. (2000) Introduction to Multimedia. Venton Publishing, Kuala LumpurHowling Pixel. (2019) Wayang kulit.https://howlingpixel.com/i-en/Wayang_kulitHui Nee Au Yong. (2018) Making Full Use Of A Creative Economy: Review Of The Development Of Malaysia As A Hub For Creative Content Technologies. Universiti Tunku Abdul RahmanHyejin Yoon, M.A. (2008) The Animation Industry: Technological Changes, Production Challenges, And Global Shifts Ohio State UniversityIndian Folklore: Forms, Patterns and Variations. (2014) Folk Literature and Language: Research and PedagogyIndian Media and Entertainment Industry Report. (2017) Media for the masses: The promise unfolds.Islam, Mazhrul. (1985). Folklore: The Pulse of the People of India. New Delhi J Pharmacol Pharmacother. (2011) Measures of dispersion.James Curran and Robert A. Blackburn. (2001) Researching the Small Enterprise. Sage Publications, LondonJames Ritchie. (2017) The 12 Principles of Animation with Animated Examples. Idea RocketJason Mc. Dermott (2018) From AI to Robotics: Mobile, Social, and Sentient Robotshttps://issuu.com/nadirchine/docs/ai-robotics-mobile-social-sentientJohn W. Creswell. (2009) Research Design Qualitative, quantitative and mixed method approaches. University of Nebraska-LincolnJustin Kwan. (2016) New Players in the Asian Animation Industry: Growth in China and South Korea. Asia Pacific Foundation of CanadaKshitij Vivan. (2017) Future of Animation Industry. Design Academy AhmedabadLaura Wood. (2017) Global Animation Industry Report: The Most Authoritative Global Animation Industry AnalysisLei Ma, Cen Qian, Zheng Liu, & Yue Zhu. (2018) Exploring the Innovation System of the Animation Industry: Case Study of a Chinese Company. Nanjing University of Science and TechnologyMallan, Kerry M. & Bradford, Clare. (2011) Contemporary children's literature and film: engaging with theory. Palgrave Macmillan, Basingstoke, Hampshire.Malaysia Digital Economy Corporation Sdn Bhd, (2017) Mdec Introduced Malaysia Digital Hub and Malaysia Tech Entrepreneur Programme to Drive the Growth of Digital Economy.Meeta Deka (2011) Folklore and Northeast Indian History Gauhati University, Gauhati, India file:///C:/Users/User/Desktop/journa/SM20110400004_12035703.pdfMelanie Meng Xue (2017) Folklore Northwestern University https://econ.uconn.edu/wpcontent/uploads/sites/681/2018/01/draftOct30th_fol klore_final.pdfMinistry of Culture, Government of India. (2019) Literature & Folklore.https://www.indiaculture.nic.in/literature-folkloreMohd Amir Mat Omar & Md Sidin Ahmad Ishak. (2011) Understanding Culture Through Animation: From the World to Malaysia. Malaysian Journal of Media studiesM. Nagaraju. (2016) A survey of Folklore Study in India Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-4, 2016 ISSN: 2454-1362. Government First Grade College, Vijayanagar, Bengaluru.Moises Tchijica Mota. (2009) The Role of Folktales in Building Personality: The Case Of The Lunda-Cokwe People Of Angola. University of South AfricaMubarak Altwaiji. (2017) History of Saudi Folklore and Factors that Shaped itNorthern. Border University, Kingdom of Saudi ArabiaMuliyadi Mahamood. (2001). The history of Malaysian animated cartoons. Animation in Asia and the Pacific. London: John Libbey.New World Encyclopaedia. (2013) Folklore of India. MediaWikiNita Mathur. (2009) Alternative Paradigms in Folklore Studies: The Indian Chapter.Indian Folklore Research JournalNoor Aida Mahmor, Nasihah Hashim. (2015) Citra Wanita Melayu Dalam Cerita Animasi Kanak-Kanak Upin Dan Ipin. KliCELSNormaliza Abd Rahim, Awang Azman Awang Pawi & Nik Rafidah Nik Muhamad Affendi. (2018) Integration of Values and Culture in Malay Folklore Animation. Universiti Putra MalaysiaOkeda, Daisuke, Koike & Aki. (2011) Working conditions of animators: The real face of the Japanese animation industry. Routledge, part of the Taylor & Francis GroupPanikkar, K. M. (2015), Asia and Western Dominance: A Survey of the Vasco Da Gama Epoch of Asian HistoryPui-Yee Chonga, Siew-Yean Thamb, Jia-Yi Andrew Kam. (2017) Measuring International Students Satisfaction: The Development of Survey Instrument. Universiti Putra MalaysiaRamakatha Rasavahini II. (2010) Stream of Sacred Sweetness. Sri Sathya Sai Sadhana TrustRatchneewan Ross. (2017) Integrating Quantitative and Qualitative Data in Mixed Methods Research. Santa Catarina, BrazilResearch and Markets. (2014) Europe Animation Industry Report: Strategies, Trends & Opportunities. https://www.businesswire.com/news/home/20140110005530/en/Research Markets-Europe-Animation-Industry-Report-2014Robert Kenny & Tom Broughton. (2011) Securing the future of UK animation.Robert V. Krejcie & Daryle W. Morgan. (1970) Determining Sample Size for Research Activities. Texas A. & M. University & University of Minnesota, DuluthSam Vinay Rao. (2018) The Animation industry in India Poised for a breakthrough.Global Media ReviewSiew Lian Lim, (2011) Transmitting the Ramayana Epic from India to Southeast Asia and the West through Shadow Puppetry and Visual Art.Statistical Concepts. (2019) Statistics.Steven M. Ross & Gary R. Morrison. (2004) Experimental Research Methods. Wayne State University, The University of MemphisSteven Bradley (2014) 12 Principles to Create Realistic Animation the Disney Wayhttp://www.adobepress.com/articles/article.asp?p=2270973&seqNum=9Sultana, Nekhat, Lim, Forest Yan Peng, Meissner & Nico. (2013) Exploring Believable Character Animation Based on Principles of Animation and Acting Principles Multimedia. University Cyberjaya, Selangor, MalaysiaTimothy Graham Jones. (2014) Animating Community: Reflexivity and Identity in Indian Animation Production Culture. University of East AngliaVikas Menon, Tess Maria Rajan & Siddharth Sarkar. (2017) Psychotherapeutic applications of mobile phone-based technologies: A systematic review of current research and trends. Institute of Medical Sciences, New Delhi, India