Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian

Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian

<p>This study was conducted to identify the philosophical essence of Saiva Siddhanta</p><p>embedded in Tolkappiyam. Saiva Siddhantahs theory is applied to analyze the</p><p>rhythmic poem known as Nurpa in Tolkappiyam. Qualitative...

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Main Author: N.Thamilvanan M.Nadarajah
Format: thesis
Language:tam
Published: 2021
Subjects:
PL Languages and literatures of Eastern Asia
Africa
Oceania
Online Access:https://ir.upsi.edu.my/detailsg.php?det=8881
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id oai:ir.upsi.edu.my:8881
record_format uketd_dc
institution Universiti Pendidikan Sultan Idris
collection UPSI Digital Repository
language tam
topic PL Languages and literatures of Eastern Asia
Africa
Oceania
spellingShingle PL Languages and literatures of Eastern Asia
Africa
Oceania
N.Thamilvanan M.Nadarajah
Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
description <p>This study was conducted to identify the philosophical essence of Saiva Siddhanta</p><p>embedded in Tolkappiyam. Saiva Siddhantahs theory is applied to analyze the</p><p>rhythmic poem known as Nurpa in Tolkappiyam. Qualitative studies have been</p><p>conducted to achieve the objectives of this research. The main objective of this study</p><p>is to identify the concept of Saiva Siddhanta in the content of Tolkappiyam which</p><p>includes three main parts namely, Ezutatigaram (phonology), Solathigaram</p><p>(etymology) and Porulatigaram (subject). The finding of first objective shows that</p><p>there are 6 concepts of Saiva Siddhanta embedded in the essence of Tolkappiyam</p><p>namely phonological grammar, the concept of soul, the concept of karma, the concept</p><p>of divinity, the concept of worship and the concept of monotheism. The finding of the</p><p>second objective shows the theory of God, life and the elements of impurity in</p><p>explaining the 6 concepts of Saiva Siddhanta identified earlier. Meanwhile, The</p><p>finding of the third objective shows the Tamil language teachers have less</p><p>understanding and appreciation of the essence of Saiva Siddhanta's philosophy in</p><p>Tolkappiyam. In conclusion although Tolkappiyam and Saiva Siddhanta were written</p><p>in different time frames yet the findings of the study prove that Saiva Siddhanta is an</p><p>expanded and detailed version of divine philosophy embedded in Tolkappiyams</p><p>work. This study has linked the importance of Tolkappiyam and Saiva Siddhanta and</p><p>in turn was able to instill the awareness of the Tamil community to better understand</p><p>and deepen the philosophy of Saiva Siddhanta contained in Tolkappiyam.</p>
format thesis
qualification_name
qualification_level Master's degree
author N.Thamilvanan M.Nadarajah
author_facet N.Thamilvanan M.Nadarajah
author_sort N.Thamilvanan M.Nadarajah
title Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
title_short Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
title_full Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
title_fullStr Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
title_full_unstemmed Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian
title_sort falsafah saiva siddhanta dalam tolkappiyam-satu kajian
granting_institution Universiti Pendidikan Sultan Idris
granting_department Fakulti Bahasa dan Komunikasi
publishDate 2021
url https://ir.upsi.edu.my/detailsg.php?det=8881
_version_ 1776104577760755712
spelling oai:ir.upsi.edu.my:88812023-05-03 Falsafah Saiva Siddhanta dalam Tolkappiyam-satu kajian 2021 N.Thamilvanan M.Nadarajah PL Languages and literatures of Eastern Asia, Africa, Oceania <p>This study was conducted to identify the philosophical essence of Saiva Siddhanta</p><p>embedded in Tolkappiyam. Saiva Siddhantahs theory is applied to analyze the</p><p>rhythmic poem known as Nurpa in Tolkappiyam. Qualitative studies have been</p><p>conducted to achieve the objectives of this research. The main objective of this study</p><p>is to identify the concept of Saiva Siddhanta in the content of Tolkappiyam which</p><p>includes three main parts namely, Ezutatigaram (phonology), Solathigaram</p><p>(etymology) and Porulatigaram (subject). The finding of first objective shows that</p><p>there are 6 concepts of Saiva Siddhanta embedded in the essence of Tolkappiyam</p><p>namely phonological grammar, the concept of soul, the concept of karma, the concept</p><p>of divinity, the concept of worship and the concept of monotheism. The finding of the</p><p>second objective shows the theory of God, life and the elements of impurity in</p><p>explaining the 6 concepts of Saiva Siddhanta identified earlier. Meanwhile, The</p><p>finding of the third objective shows the Tamil language teachers have less</p><p>understanding and appreciation of the essence of Saiva Siddhanta's philosophy in</p><p>Tolkappiyam. In conclusion although Tolkappiyam and Saiva Siddhanta were written</p><p>in different time frames yet the findings of the study prove that Saiva Siddhanta is an</p><p>expanded and detailed version of divine philosophy embedded in Tolkappiyams</p><p>work. This study has linked the importance of Tolkappiyam and Saiva Siddhanta and</p><p>in turn was able to instill the awareness of the Tamil community to better understand</p><p>and deepen the philosophy of Saiva Siddhanta contained in Tolkappiyam.</p> 2021 thesis https://ir.upsi.edu.my/detailsg.php?det=8881 https://ir.upsi.edu.my/detailsg.php?det=8881 text tam closedAccess Masters Universiti Pendidikan Sultan Idris Fakulti Bahasa dan Komunikasi <p> ,. (1972). .</p><p>: , </p><p> .</p><p></p><p> , (2002). (). : .</p><p></p><p>,. (1967). ( ).</p><p>: .</p><p></p><p> , (2003). . : .</p><p></p><p> , (1971). . : </p><p> .</p><p></p><p> . (1985). .</p><p>: .</p><p></p><p> ,. (1959). . : .</p><p>,. (1997). . : </p><p> .</p><p></p><p>, . (1995). . : .</p><p></p><p>. (1963). . : </p><p> .</p><p></p><p>,. (2003). - .</p><p>: .</p><p></p><p>,. (2009). . : </p><p> .</p><p></p><p> ,. (2011). .</p><p>: .</p><p></p><p>,. (1998). . :</p><p> .</p><p></p><p>,. (1972). . : </p><p>.</p><p></p><p>,. 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