Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim
Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Cont...
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my-uitm-ir.755782024-07-18T06:04:47Z Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim 2022 Salim, Izzliyana Instrumental music Analysis and appreciation of music Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Contrary to Chopin's style of rubato playing, which is the 'melodic rubato', Sviatoslav Richter and Li Yundi used 'accelerando and rallentando' and 'tenuto and agogic accent' to perform Chopin's Nocturne, Op. 15 No. 3 in G minor. The findings of this study indicates that Chopin's rubato is no longer widely used in this century. 2022 Thesis https://ir.uitm.edu.my/id/eprint/75578/ https://ir.uitm.edu.my/id/eprint/75578/1/75578.pdf text en public degree Universiti Teknologi MARA (UiTM) Faculty of Music Montoya Valencia, Juan Daniel |
| institution |
Universiti Teknologi MARA |
| collection |
UiTM Institutional Repository |
| language |
English |
| advisor |
Montoya Valencia, Juan Daniel |
| topic |
Instrumental music Analysis and appreciation of music |
| spellingShingle |
Instrumental music Analysis and appreciation of music Salim, Izzliyana Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| description |
Rubato playing in Nocturne, Op. 15 No. 3 can be applied or interpreted differently by different performers. The dominant explanation for this is individual pianistic styles of the performer. The data of this study are obtained from journals and articles, score analysis and performance analysis. Contrary to Chopin's style of rubato playing, which is the 'melodic rubato', Sviatoslav Richter and Li Yundi used 'accelerando and rallentando' and 'tenuto and agogic accent' to perform Chopin's Nocturne, Op. 15 No. 3 in G minor. The findings of this study indicates that Chopin's rubato is no longer widely used in this century. |
| format |
Thesis |
| qualification_level |
Bachelor degree |
| author |
Salim, Izzliyana |
| author_facet |
Salim, Izzliyana |
| author_sort |
Salim, Izzliyana |
| title |
Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| title_short |
Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| title_full |
Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| title_fullStr |
Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| title_full_unstemmed |
Comparing rubato playing on Chopin's Nocturne, Op. 15 no. 3 in G Minor / Izzliyana Salim |
| title_sort |
comparing rubato playing on chopin's nocturne, op. 15 no. 3 in g minor / izzliyana salim |
| granting_institution |
Universiti Teknologi MARA (UiTM) |
| granting_department |
Faculty of Music |
| publishDate |
2022 |
| url |
https://ir.uitm.edu.my/id/eprint/75578/1/75578.pdf |
| _version_ |
1811768657689182208 |